Encyclopedia of Greater Philadelphia

Birch’s Views of Philadelphia

Executive Mansion on Ninth

William Russell Birch and his son Thomas collaborated to create this colored print of the President’s House at Ninth Street, which no president ever occupied. (Library Company of Philadelphia)

The City of Philadelphia, in the State of Pennsylvania North America; as it appeared in the Year 1800 is a masterpiece of American copperplate engraving and the first book of views to be entirely produced and published in the United States. Comprising twenty-seven scenes or “views” of Philadelphia’s buildings and streetscapes, the book aimed to give, in the words of its creator William Russell Birch (1755-1834), “the most general idea of the town.” Enormously successful, the work was published both as a bound book and as separate loose-leaf prints, and appeared in three subsequent editions over the next thirty years. It is significant as a record of Philadelphia’s architectural past and as a rich example of urban visual culture in the early Republic.

Market Street at Third Street

The southeast corner of Third and Market Streets, featured in the first edition of Birch’s Views. (Library Company of Philadelphia)

The first edition of Birch’s Views, as the work came to be known, was part of a larger boom in population, visitation (as tourism was termed at the time), and book and map publishing that the city witnessed during its ten-year period as the United States Capital, 1790-1800. Birch arrived in Philadelphia from his native England during this time, and his Views lingered on sites of commercial, political, and cultural import, from the High Street Market to Congress Hall to the Fifth Street Library. Throughout, Birch balanced careful renderings of edifices with a feel for city life: Philadelphia’s handsome Georgian facades and characteristic street corners are enlivened by pedestrians, horse-drawn carts, groups of soldiers and Native Americans, and, in the plate “High Street, From the Country Marketplace,” the 1799 funeral procession for George Washington. Together the prints provide a virtual walk through the city, the viewer pausing to take in picturesque sights and local color. Yet these details of daily life also speak to larger ideals of civic identity and national order, as in the bustling shipbuilding scene entitled “Preparation for War to defend Commerce.”

First Chestnut Theatre

The Chestnut Theatre was lost to fire, but preserved as an image by Birch’s Views. (Library of Congress)

Like other engravings and printed books, the Views resulted from a collaborative endeavor. Birch’s son Thomas (1779-1851) painted sketches in watercolor, which were transferred to copper plates by engraver Samuel Seymour or by Birch himself. Birch made changes in nearly every edition, updating existing scenes to better reflect the city’s landscape, adding new views, or simply getting rid of scenes that no longer held appeal. The work thus not only documents many structures later demolished, but also indicates the shifting character of Philadelphia’s built environment and of public taste.

At the time of its first publication in 1800, the Views constituted the most extensive pictorial catalog of Philadelphia to date, an attempt to depict the city in its full range of activities and places and to record it for posterity. Birch advertised the volume as a “Memento for the 18th Century,” and the book’s eminent subscribers, such as Stephen Girard (1750-1831) and Thomas Jefferson (1743-1826), showed that such memorializing carried political and cultural weight among the nation’s elite. City views, annals, and other antiquarian projects gained particular popularity in Philadelphia in the 1820s onward, part of a renewed interest in historical memory. Birch participated in this wave of interest, publishing the fourth and final edition of his Views in 1827-28. Artistic merit and the historical appeal of Birch’s views have ensured their continued popularity.

William Birch's 1798 print of the frigate <i>Philadelphia<i> at the Humphrey's and Wharton Shipyard

Birch captured the construction of frigate Philadelphia in November 1798 at Humphrey’s & Wharton Shipyard on Front Street on the Delaware River. (Library of Congress)

Emily S. Warner received her B.A. in Art History from the University of Chicago (2006) and her M.A. in the History of Art from the University of Pennsylvania (2012), where she is a doctoral candidate. Her research interests include topics in both nineteenth- and twentieth-century art history and visual culture.

Copyright 2015, Rutgers University

Related Reading

Bellion, Wendy. “Sight and the City.” In Citizen Spectator: Art, Illusion, and Visual Perception in Early National America, 113-169. Chapel Hill: University of North Carolina Press, 2011.

Cohen, Jeffrey A. “Evidence of Place: Resources Documenting the Philadelphia Area’s Architectural Past.” The Pennsylvania Magazine of History and Biography, Volume 124, Number 1-2 (January-February 2000): 145-201.

Cooperman, Emily T. and Lea Carson Sherk. William Birch: Picturing the American Scene. Philadelphia: University of Pennsylvania Press, 2011.

De Cunzo, Lu Ann. “An Historical Interpretation of William Birch’s Print ‘High Street, from Ninth Street, Philadelphia.’” Pennsylvania History, Volume 50, Number 2 (April 1983): 109-147.

Hallam, John S. “William Birch’s City of Philadelphia: The Politics of the Picturesque and Urban Life in the Early Republic.” Journal of American Culture, Volume XX, Number 4 (Winter 1997): 25-40.

Nash, Gary. First City: Philadelphia and the Forging of Historical Memory. Philadelphia: University of Pennsylvania Press, 2001.

Rigal, Laura. The American Manufactory: Art, Labor, and the World of Things in the Early Republic. Princeton: Princeton University, 1998.

Snyder, Martin P. “William Birch: His Philadelphia Views.” The Pennsylvania Magazine of History and Biography, Volume 73, Number 3 (July 1949): 271-315.

——. “William Birch’s Philadelphia Views: New Discoveries.” The Pennsylvania Magazine of History and Biography, Volume 88, Number 2 (April 1964): 164-173.

——. City of Independence: Views of Philadelphia before 1800. New York: Praeger Publishers, 1975.

Teitelman, S. Robert, ed. Birch’s Views of Philadelphia in 1800. With Photographs of the Sites in 1960 and 2000. 200th anniversary edition. Philadelphia: Free Library of Philadelphia and University of Pennsylvania Press, 2000.


Historical Society of Pennsylvania, 1300 Locust Street, Philadelphia.

Library Company of Philadelphia, 1314 Locust Street, Philadelphia.

Library of Congress, 101 Independence Avenue, Washington, D.C.

Pennsylvania Academy of Fine Arts, John S. Phillips Collection, 118-128 N. Broad Street, Philadelphia.

Places to Visit

Sites depicted by Birch’s Views in Center City Philadelphia.

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  1. […] “Birch’s Views of Philadelphia,” The Encyclopedia of Greater Philadelphia, Copyright 2016. http://philadelphiaencyclopedia.org/archive/birchs-views-of-philadelphia/ Robert S. Teitelman, Birch’s Views of Philadelphia in 1800, US History.org, Copyright 2013. […]

  2. By What do these things have in common: A house our first president wouldn’t live in, the oldest piece of land continuously owned by African Americans, and a war ship run aground by pirates? on May 6, 2017 at 1:19 pm

    […] “Birch’s Views of Philadelphia,” The Encyclopedia of Greater Philadelphia, Copyright 2016. http://philadelphiaencyclopedia.org/archive/birchs-views-of-philadelphia/ Robert S. Teitelman, Birch’s Views of Philadelphia in 1800, US History.org, Copyright 2013. […]

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