Encyclopedia of Greater Philadelphia

Contents » Art

Art Colonies

Outside the urban core of Philadelphia, the picturesque rural landscape proved a significant draw to many artists in search of the purportedly simple, wholesome, and moral quality of countryside living. Whether planned and intentional or more organic and serendipitous, colonies like those in New Hope, Chadds Ford, and Rose Valley in Pennsylvania, and Arden and ⇒ Read More

Art Deco

Like other major American cities in the 1920s and 1930s, Philadelphia was an epicenter for the exuberant strain of architecture and design activity that came to be known as Art Deco. Fueled by the area’s economic importance and increasingly urban character after the First World War, designers, corporations, and manufacturers all engaged in a broad ⇒ Read More

Art of Cecilia Beaux

The elegant portraits of Cecilia Beaux (1855-1942) found unanimous critical acclaim in Philadelphia, Paris, and New York. Her modern style of painting combined the best of academic training, European sophistication, and experimentation. Beaux successfully negotiated the gender separatism of the late nineteenth century while she gained international renown, allowing her to become the first full-time ⇒ Read More

Art of Dox Thrash

Dox Thrash (1893-1965) was an accomplished draftsman, printmaker, watercolorist, and painter, whose art reflected his experiences as an African American in Philadelphia. He became well known in the 1940s after developing the Carborundum printmaking technique at the Philadelphia Fine Print Workshop (311 Broad Street) of the Works Progress Administration’s Federal Art Project. By rubbing coarse ⇒ Read More

Art of Thomas Eakins

The art of Thomas Eakins (1844-1916) is more deeply entwined with the city of Philadelphia than that of any other artist of the nineteenth century. Born in North Philadelphia in 1844, Eakins spent nearly his entire life in the city. He consistently took local residents as his subjects, portraying friends, family, and individuals he admired engaged ⇒ Read More

Arts and Crafts Movement

The Arts and Crafts movement in Greater Philadelphia grew against the backdrop of the area’s increasingly industrial character in the late nineteenth and early twentieth centuries. The 1876 Centennial Exhibition brought attention to Philadelphia’s prominence as a manufacturing center and fostered a renewed sense of pride in the city’s connections to national history, but it ⇒ Read More

Arts of Wharton Esherick

The unconventional artistic trajectory and prolific work of prominent Philadelphia-area artist and craftsman Wharton Esherick (1877–1970) have been claimed for and by multiple movements in the history of twentieth-century American art, from early-twentieth-century Arts and Crafts to postwar studio craft. Working across a wide variety of media, including printmaking, sculpture, furniture, and theatrical design, Esherick ⇒ Read More

Athens of America

In the decades after American independence, the atmosphere of liberty in Philadelphia spawned an artistic spirit that earned this city its reputation as the Athens of America.  Here, enthusiasm for the arts grew with the same fervor and in the same houses, streets, and shops where the seeds of political freedom had been sown and ⇒ Read More

Avenue of the Arts

The Avenue of the Arts is the appellation for a section of Broad Street—from Washington Avenue in South Philadelphia to Glenwood Avenue in North Philadelphia—devoted to arts and entertainment facilities. The Avenue was conceived in 1993 by a coalition of public and private entities to attract visitors to Center City. Amid a decline in manufacturing, ⇒ Read More

Barnes Foundation

Businessman, chemist, educator, and art collector Dr. Albert C. Barnes (1872-1951) established the Barnes Foundation in 1922 as a center for art education organized around his growing collection of paintings, sculpture, and furniture. The institution earned international renown, less for its pedagogy than for its art collection, which by mid-century was world-class. Initially based in ⇒ Read More

Birch’s Views of Philadelphia

The City of Philadelphia, in the State of Pennsylvania North America; as it appeared in the Year 1800 is a masterpiece of American copperplate engraving and the first book of views to be entirely produced and published in the United States. Comprising twenty-seven scenes or “views” of Philadelphia’s buildings and streetscapes, the book aimed to ⇒ Read More

Cartoons and Cartoonists

American cartooning began in Philadelphia. Benjamin Franklin (1706–90), who introduced cartoons to North America, used images to galvanize viewers to action on the issues of their day. As the political, economic, and cultural capital of the early United States, Philadelphia became a center for producing political cartoons and humorous caricatures. Although New York eventually supplanted ⇒ Read More

Dream Garden

Dream Garden, a glass mosaic designed by Maxfield Parrish (1870–1966) measuring fifteen feet in height and forty-nine feet in length, caused a public sensation twice in Philadelphia’s history. The first time was in 1916 when it was installed in the foyer of the Curtis Publishing Company in Philadelphia, six months after a national debut at ⇒ Read More

Gross Clinic (The)

The Gross Clinic, painted in 1875 by Thomas Eakins (1844-1916), is among the most highly regarded American artworks from the nineteenth century. It is a portrait of Dr. Samuel D. Gross (1805-84), an internationally celebrated surgeon who taught at Jefferson Medical College in Philadelphia from 1856 to 1882. Created by a local artist and depicting ⇒ Read More

LOVE (Sculpture)

The sculpture commonly known as “the LOVE statue,” first placed in Philadelphia’s John F. Kennedy Plaza for the 1976 Bicentennial, was not the only sculpture of its kind—by the twenty-first century, it was not even the only sculpture of its type in Philadelphia. Yet LOVE, by Robert Indiana (1928-2018), came to be embraced by Philadelphians ⇒ Read More

Maps and Mapmaking

As the country’s largest city, and for a time capital of the new nation, Philadelphia was well situated to chart the young republic’s changing geography. Using its capacity to attract all the manufacturing elements necessary for successful publishing—printers binders, colorists, engravers and others—Philadelphia became the home of the nation’s first full-time geographical publisher and soon ⇒ Read More

Murals

Murals in the Greater Philadelphia region, like those in the United States at large, belong to an extraordinarily diverse set of histories and genealogies, from indigenous rock carving to decorations for private houses to paintings in public buildings and community initiatives. Philadelphia-area murals have spanned this diverse heritage, including three particularly important mural movements: Beaux-Arts ⇒ Read More

Painters and Painting

Philadelphia has a long, distinguished history as a center of American painting. In addition to the work of individuals and artistic family dynasties, the history of Philadelphia painters is linked with the city’s art schools, particularly the Pennsylvania Academy of the Fine Arts (PAFA), founded in 1805. Working locally and abroad, Philadelphia painters have connected ⇒ Read More

Peale Family of Painters

For over 125 years, the family headed by Charles Willson Peale (1741-1827) documented Philadelphia’s leading citizens and created paintings to decorate their homes. The Peales’ involvement in the arts enriched the cultural landscape of Philadelphia, and their work as naturalists and museum entrepreneurs advanced the causes of art, science, and science education in the United ⇒ Read More

Peale’s Philadelphia Museum

Inspired by eighteenth-century Enlightenment ideals celebrating humankind’s capacity to learn and use new information, the artist Charles Willson Peale (1741-1827) conceived his Philadelphia Museum. In it, Peale intended the works of man and nature to coexist for the edification of all. The Philadelphia Museum, Peale said, served “to instruct the mind and sow the seeds ⇒ Read More

Pennsylvania Impressionism

Pennsylvania Impressionist painting flourished in eastern Pennsylvania in the first half of the twentieth century. Often referred to as the “New Hope School” because artists in Bucks County produced the best-known works, the style was also practiced vigorously in Montgomery, Chester, Delaware, and Lehigh Counties, and key artists of the movement taught at the Pennsylvania ⇒ Read More

Philadelphia Ten

When an exhibition of 247 paintings opened on February 17, 1917, at the Art Club of Philadelphia, 235 S. Camac Street, it heralded the birth of the Philadelphia Ten (also known as The Ten), an evolving all-women’s group of painters and sculptors that exhibited together for nearly thirty years. Soon their exhibitions became an annual ⇒ Read More

Printmaking

Beginning in the mid-nineteenth century, Philadelphia became a leading center of printmaking in the United States. While publishing companies had operated in the city since the eighteenth century, the technological innovations of the firm of Peter S. Duval (1804/5-86) transformed Philadelphia’s lithographic trade into a booming industry. Duval’s commitment to improving printmaking methods and achieving ⇒ Read More

Red Rose Girls

Three young artists who took up residence at the old Red Rose Inn in Villanova, Pennsylvania, in the first decade of the twentieth century helped make Philadelphia a national leader in book and magazine illustration. They also successfully challenged the idea that only men could be “serious” and influential professional artists. The “Red Rose Girls”—Jessie ⇒ Read More

Saturday Evening Post

The Saturday Evening Post, one of the oldest magazines in the United States, originated in Philadelphia in 1821 as a four-page weekly newspaper printed on the same equipment as Benjamin Franklin’s Pennsylvania Gazette. After switching to a magazine format in 1870, the Post grew in the twentieth century to reach more than a million readers ⇒ Read More

Staircase Group (The)

After Charles Willson Peale’s The Staircase Group emerged from a private collection in the mid-twentieth century, the Philadelphia Museum of Art placed the compelling trompe l’oeil (deceive the eye) double portrait on display and it became widely reproduced in American popular and art historical literature. Its contemporary popularity echoed the popularity it enjoyed at Peale’s ⇒ Read More

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