Jack McCarthy is an archivist and historian who specializes in three areas of Philadelphia history: music, business and industry, and Northeast Philadelphia. He regularly writes, lectures, and gives tours on these subjects. His book In the Cradle of Industry and Liberty: A History of Manufacturing in Philadelphia was published in 2016 and he curated the 2017–18 exhibit Risk & Reward: Entrepreneurship and the Making of Philadelphia for the Abraham Lincoln Foundation of the Union League of Philadelphia. He serves as consulting archivist for the Philadelphia Orchestra and Mann Music Center and directs a project for Jazz Bridge entitled Documenting & Interpreting the Philly Jazz Legacy, funded by the Pew Center for Arts & Heritage.
Glassmaking was one of Philadelphia’s earliest industries. Although it never became a major part of the city’s economy to the extent that industries such as textiles and metalworking did, a number of large glass manufacturers operated in and around Philadelphia from the early eighteenth to early twentieth centuries. The industry went into decline within the ...
Baking, one of the earliest businesses in Philadelphia, did not become a major part of the local economy until the late nineteenth century. It remained a viable industry throughout the region’s history, however, ranging from small neighborhood bakeries to large baking companies with national product distribution. Philadelphia supported several commercial bakers from the beginning. A ...
Long an important center of African American musical life, Philadelphia played a key role in the development of Black gospel music. One of the seminal figures in developing the gospel style, Charles Albert Tindley (1851-1933), moved to Philadelphia during the Great Migration of the early twentieth century and became a well-known gospel songwriter. As the ...
Philadelphia ranked as one of the nation’s foremost saw manufacturing centers for much of the nineteenth and twentieth centuries. Large-scale saw making began locally in the early nineteenth century, and by midcentury a number of major saw manufacturers operated in the city, including the world’s largest, Henry Disston’s Keystone Saw Works. Disston created a unique ...
Home to the first paper mill in the British American colonies, Philadelphia was the nation’s primary papermaking center through the early nineteenth century. The region lost its national preeminence in papermaking in the late nineteenth century, but it continued to host important makers of paper and paper products. Skilled papermakers, including William Rittenhouse (1644–1708), a ...
Philadelphia’s silk industry began in earnest in the early nineteenth century. There had been efforts since the early eighteenth century to cultivate the silk worm and establish silk-making operations in the region, but they had proven unsustainable or were carried out on a small scale. Philadelphia’s first successful silk manufacturer began operating in 1815, and ...
Philadelphia played a key role in the birth of the American pharmaceutical industry in the early nineteenth century, and the region remained a major pharmaceutical center into the early twenty-first century. Home since the colonial period to many of America’s leading scientific, educational, and medical institutions, Philadelphia was well-positioned to support the emergence of a ...
Textile manufacturing began in Philadelphia soon after the city’s founding in 1682 and grew to be one of its chief industries. By the turn of the twentieth century Philadelphia was one of the world’s greatest textile manufacturing centers, with tens of thousands of workers making a wide range of products. The industry declined dramatically in ...
Although Philadelphia was a national trendsetter in rock and roll in the late 1950s and early 1960s, it lost its preeminence in the mid-1960s as tastes changed and the music moved in new directions. While a new home-grown style of African American soul music emerged in the late 1960s and early 1970s that once again ...
Opera has played an important role in Philadelphia arts and entertainment since the mid-eighteenth century. The city has long been a key center for opera and holds several important distinctions in opera history, including being the site of the first serious opera performances in America, birthplace of the first major American opera composer, and home ...
“South Street,” a hit song for the Philadelphia vocal group the Orlons in 1963, celebrates an iconic Philadelphia thoroughfare and is among a select group of songs that came to define the city in popular culture in the late twentieth century. The song’s catchy opening line—“Where do all the hippies meet? South Street, South Street”—became a well-known refrain for generations of ...
“The Twist,” an early 1960s dance hit by Philadelphia singer Chubby Checker (real name Ernest Evans, b. 1941), ushered in a new way of dancing and solidified Philadelphia’s role as a major trendsetter in popular music in this period. Released in the summer of 1960 by Philadelphia-based Cameo Parkway Records, “The Twist” reached number one ...
“Oh, Dem Golden Slippers,” the unofficial theme song of the Philadelphia Mummers Parade, is both an enduringly popular song and a revealing example of the complex, multilayered interplay between black and white music in ...
“My Days Have Been So Wondrous Free,” written in Philadelphia in 1759 by Francis Hopkinson (1737–91), is generally considered the first secular song written by a native-born American. Hopkinson, then a young graduate of the College of Philadelphia, later became a leading figure in Philadelphia music as well as a prominent patriot, signer of the ...
Written in 1855 by a Philadelphia songwriter who was inspired by the whistling of a street musician, “Listen to the Mocking Bird” was one of the most popular songs of the nineteenth century. It sold millions of copies of sheet music and was sung (and whistled) throughout the United States and parts of Europe. Philadelphia ...
In spring 1974, “TSOP (The Sound of Philadelphia)” became a hit song for Philadelphia International Records, the local record label renowned for its “Philly Soul” sound of the 1970s. Written by Philadelphia International’s owners and chief songwriter/producers, Kenny Gamble (b. 1943) and Leon Huff (b. 1942), and recorded in late 1973 by MFSB with the ...
“Hail, Columbia,” written in Philadelphia in the closing years of the eighteenth century, became a popular patriotic song in early America and served for many years as the unofficial national anthem. Bands began to play it in honor of the vice president of the United States in the 1830s, and later it became the official song of that ...
With its large and diverse African American population and long tradition of Black popular and religious music, Philadelphia became a hotbed of the new rhythm and blues style that emerged from jazz, blues, and gospel music in the 1940s and 1950s. The term “rhythm and blues” came into general use in the late 1940s to ...
Jazz began to emerge as a distinct musical style around the turn of the twentieth century, a merging of two vernacular African American musical styles—ragtime and blues—with elements of popular music. New Orleans, the “cradle of jazz,” was the most important city in this process, with Chicago and New York playing particularly significant roles in ...
Philadelphia was one of several key cities where, in the 1950s and early 1960s, singers created the small-group vocal harmony style of rhythm and blues known as doo wop. Doo wop was an urban style, sung on city street corners and in school hallways. Its name, derived from a type of sound singers made in ...
Disc jockeys—“DJs” who play music on the radio—have had a key role in shaping Philadelphia musical tastes since the 1950s. They reflected national and local musical trends, exposed audiences to new music, and in some cases produced records and managed artists. Many Philadelphia DJs became celebrities, actively engaged and influential in the local music ...
A term with varied meanings in popular music, “soul” broadly describes African American music characterized by emotional urgency and racial consciousness. More specifically, a soul style of Black music emerged from rhythm and blues and gospel in the late 1950s and became popular with both Black and white audiences through the 1970s. Different cities had ...
For most Americans in the mid-1950s, rock and roll seemed to come out of nowhere, a raucous new musical style that suddenly burst on the scene. In reality, rock and roll had been taking shape for decades, as uniquely American vernacular musical styles such as jazz, blues, gospel, and country music cross-pollinated. The process unfolded in urban as well as rural settings, in both black and white ...
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