The story of American independence comes to life in the musical 1776, which dramatizes the debates, drafting, and signing of the Declaration of Independence by the Second Continental Congress. The musical, which debuted on Broadway in 1969 and became a film in 1972, highlights Philadelphia as the site of the fateful decisions made at the ...
American Bandstand (1952-89) was a massively popular music television program with strong Philadelphia roots, storied national success, and the power to shape the music industry and society. Particularly during the show’s prime Philadelphia years (1952-63), Philadelphia youth culture became American culture through American ...
Philadelphia has had a thriving blues music tradition since the early twentieth century. While not renowned as a blues city like Chicago or Memphis, and celebrated more for related African American genres such as jazz, rhythm and blues, gospel, and soul music, Philadelphia has nevertheless been home to several influential blues artists and has nurtured the development of blues and blues-based ...
Classical music stands apart from vernacular (or “folk” music) and from “popular” music (in the form of simplified commercial entertainment) in its complexity of structure and high level of performance requirements. Philadelphia established a major position in American classical composition and performance in the early nineteenth century, and maintained that position through its premier ...
Established in the winter of 1748-49, the Dancing Assembly of Philadelphia— also known as “The Assembly” or “The Assemblies”— originated as an occasion for elite men and women to gather for social dancing in carefully matched pairs. Modeled after the English “assembly,” a type of formal social gathering most famously held in Bath and London, ...
Philadelphia was one of several key cities where, in the 1950s and early 1960s, singers created the small-group vocal harmony style of rhythm and blues known as doo wop. Doo wop was an urban style, sung on city street corners and in school hallways. Its name, derived from a type of sound singers made in ...
Long an important center of African American musical life, Philadelphia played a key role in the development of Black gospel music. One of the seminal figures in developing the gospel style, Charles Albert Tindley (1851-1933), moved to Philadelphia during the Great Migration of the early twentieth century and became a well-known gospel songwriter. As the ...
“Hail, Columbia,” written in Philadelphia in the closing years of the eighteenth century, became a popular patriotic song in early America and served for many years as the unofficial national anthem. Bands began to play it in honor of the vice president of the United States in the 1830s, and later it became the official song of that ...
Jazz began to emerge as a distinct musical style around the turn of the twentieth century, a merging of two vernacular African American musical styles—ragtime and blues—with elements of popular music. New Orleans, the “cradle of jazz,” was the most important city in this process, with Chicago and New York playing particularly significant roles in ...
Written in 1855 by a Philadelphia songwriter who was inspired by the whistling of a street musician, “Listen to the Mocking Bird” was one of the most popular songs of the nineteenth century. It sold millions of copies of sheet music and was sung (and whistled) throughout the United States and parts of Europe. Philadelphia ...
The Mummers Parade, an institution in Philadelphia since 1901, brought together many of the loosely organized groups of folk performers who roamed the streets each year between Christmas Eve and New Year’s Day. Known variously as mummers, shooters, belsnickles, fantasticals, and callithumpians, these masqueraders traced their roots to immigrants from England, Sweden, and Germany who ...
The Musical Fund Society, an important predecessor to the Philadelphia Orchestra, formed in 1820 to promote professional and amateur musical talent in Philadelphia and to aid indigent musicians and their families. Its active role in advancing the careers of exceptional performing musicians and composers continued into the twenty-first century, making the Musical Fund Society the ...
Philadelphia became the leading center of musical instrument making in colonial America and the early republic, reflecting the importance of music in everyday life. Early Philadelphia’s many German inhabitants, unlike the Quakers, openly embraced both secular and sacred music. Philadelphia became particularly noted for producing keyboard instruments and dominated American piano manufacturing ...
“My Days Have Been So Wondrous Free,” written in Philadelphia in 1759 by Francis Hopkinson (1737–91), is generally considered the first secular song written by a native-born American. Hopkinson, then a young graduate of the College of Philadelphia, later became a leading figure in Philadelphia music as well as a prominent patriot, signer of the ...
One of the best-known hymns of the Christmas season, “O Little Town of Bethlehem,” originated in 1868 as a poem written for the Sunday School of the Church of the Holy Trinity on Philadelphia’s Rittenhouse ...
“Oh, Dem Golden Slippers,” the unofficial theme song of the Philadelphia Mummers Parade, is both an enduringly popular song and a revealing example of the complex, multilayered interplay between black and white music in ...
Opera has played an important role in Philadelphia arts and entertainment since the mid-eighteenth century. The city has long been a key center for opera and holds several important distinctions in opera history, including being the site of the first serious opera performances in America, birthplace of the first major American opera composer, and home ...
Seeking to contribute to the folk revival that reached its peak in the United States during the mid-1960s, folklorist Kenneth S. Goldstein (1927-95) and radio DJ Gene Shay (1935-2020) organized the Philadelphia Folk Festival in 1962. During a hiatus of the similar Newport Folk Festival in Rhode Island, Goldstein and Shay sought to demonstrate the ...
Since its debut in 1900, the Philadelphia Orchestra, renowned for its distinctive sound, has been an iconic organization for Philadelphia based on its reputation of musicianship, commitment to culture and education, and service as a cultural ambassador to the world. Its rich history has been shaped by a series of influential conductors whose musical tastes and personalities infused the orchestra ...
Philadelphia has been a key center in popular music—music appealing to popular tastes—since the late eighteenth century and at several points in history has been recognized as a world leader in the genre. Shaped by the rich musical traditions of its numerous ethnic and religious groups, the city produced many widely popular and influential artists and ...
Philadelphia participated early and actively in the founding and development of public broadcasting, which expanded across the twentieth century to encompass radio, television, and digital platforms. Public media organizations have given voice to local concerns, provided forums for diverse opinions, and offered programming not found in commercial broadcasting. Precedents for public broadcasting ...
Disc jockeys—“DJs” who play music on the radio—have had a key role in shaping Philadelphia musical tastes since the 1950s. They reflected national and local musical trends, exposed audiences to new music, and in some cases produced records and managed artists. Many Philadelphia DJs became celebrities, actively engaged and influential in the local music ...
Birthplace of the American record industry, the Philadelphia region has been home to a thriving industry of recording studios and record companies for more than a century. Philadelphia's unique diversification of industry, entrepreneurship, and musical creativity of its racially diverse communities has produced a unique Philadelphia "sound" with national and international ...
With its large and diverse African American population and long tradition of Black popular and religious music, Philadelphia became a hotbed of the new rhythm and blues style that emerged from jazz, blues, and gospel music in the 1940s and 1950s. The term “rhythm and blues” came into general use in the late 1940s to ...
For most Americans in the mid-1950s, rock and roll seemed to come out of nowhere, a raucous new musical style that suddenly burst on the scene. In reality, rock and roll had been taking shape for decades, as uniquely American vernacular musical styles such as jazz, blues, gospel, and country music cross-pollinated. The process unfolded in urban as well as rural settings, in both black and white ...
Although Philadelphia was a national trendsetter in rock and roll in the late 1950s and early 1960s, it lost its preeminence in the mid-1960s as tastes changed and the music moved in new directions. While a new home-grown style of African American soul music emerged in the late 1960s and early 1970s that once again ...
A term with varied meanings in popular music, “soul” broadly describes African American music characterized by emotional urgency and racial consciousness. More specifically, a soul style of Black music emerged from rhythm and blues and gospel in the late 1950s and became popular with both Black and white audiences through the 1970s. Different cities had ...
Despite William Penn’s vision of a city spread between the Delaware River and the Schuylkill, Philadelphia remained densely concentrated along the Delaware throughout the eighteenth century. Sounds from the private sphere and public life blended and intruded without hindrance: women’s batting staffs, street criers, and bells sounded loudly throughout the city’s domestic, commercial, and ...
“South Street,” a hit song for the Philadelphia vocal group the Orlons in 1963, celebrates an iconic Philadelphia thoroughfare and is among a select group of songs that came to define the city in popular culture in the late twentieth century. The song’s catchy opening line—“Where do all the hippies meet? South Street, South Street”—became a well-known refrain for generations of ...
In spring 1974, “TSOP (The Sound of Philadelphia)” became a hit song for Philadelphia International Records, the local record label renowned for its “Philly Soul” sound of the 1970s. Written by Philadelphia International’s owners and chief songwriter/producers, Kenny Gamble (b. 1943) and Leon Huff (b. 1942), and recorded in late 1973 by MFSB with the ...
“The Twist,” an early 1960s dance hit by Philadelphia singer Chubby Checker (real name Ernest Evans, b. 1941), ushered in a new way of dancing and solidified Philadelphia’s role as a major trendsetter in popular music in this period. Released in the summer of 1960 by Philadelphia-based Cameo Parkway Records, “The Twist” reached number one ...
Originally designed for the St. Louis World’s Fair of 1904, the organ purchased by John Wanamaker (1838-1922) for his unprecedented Philadelphia department store at Thirteenth and Market Streets expanded over time to produce the sound power of three symphony orchestras. Regarded as the largest playable instrument in the world, the Wanamaker Grand Court Organ remained a highlight of the Center ...
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