Encyclopedia of Greater Philadelphia

American Bandstand (1952-89) was a massively popular music television program with strong Philadelphia roots, storied national success, and the power to shape the music industry and society.  The show epitomized many important aspects of ever-evolving American popular culture: mass communication, popular music, youth culture, dance and fashion trends, as well as race and gender relationships.  ⇒ Read More

Classical music stands apart from vernacular (or “folk” music) and from “popular” music (in the form of simplified commercial entertainment) in its complexity of structure and high level of performance requirements. Philadelphia established a major position in American classical composition and performance in the early nineteenth century, and maintained that position through its premier professional ⇒ Read More

Established in the winter of 1748-49, the Dancing Assembly of Philadelphia— also known as “The Assembly” or “The Assemblies”— originated as an occasion for elite men and women to gather for social dancing in carefully matched pairs. Modeled after the English “assembly,” a type of formal social gathering most famously held in Bath and London, ⇒ Read More

Philadelphia was one of several key cities where, in the 1950s and early 1960s, singers created the small-group vocal harmony style of rhythm and blues known as doo wop. Doo wop was an urban style, sung on city street corners and in school hallways. Its name, derived from a type of sound singers made in ⇒ Read More

“Hail, Columbia,” written in Philadelphia in the closing years of the eighteenth century, became a popular patriotic song in early America and served for many years as the unofficial national anthem. Bands began to play it in honor of the vice president of the United States in the 1830s, and later it became the official ⇒ Read More

Jazz began to emerge as a distinct musical style around the turn of the twentieth century, a merging of two vernacular African American musical styles—ragtime and blues—with elements of popular music. New Orleans, the “cradle of jazz,” was the most important city in this process, with Chicago and New York playing particularly significant roles in ⇒ Read More

Written in 1855 by a Philadelphia songwriter who was inspired by the whistling of a street musician, “Listen to the Mocking Bird” was one of the most popular songs of the nineteenth century. It sold millions of copies of sheet music and was sung (and whistled) throughout the United States and parts of Europe. Philadelphia ⇒ Read More

The Mummers Parade, an institution in Philadelphia since 1901, brought together many of the loosely organized groups of folk performers who roamed the streets each year between Christmas Eve and New Year’s Day. Known variously as mummers, shooters, belsnickles, fantasticals, and callithumpians, these masqueraders traced their roots to immigrants from England, Sweden, and Germany who ⇒ Read More

The Musical Fund Society, an important predecessor to the Philadelphia Orchestra, formed in 1820 to promote professional and amateur musical talent in Philadelphia and to aid indigent musicians and their families. Its active role in advancing the careers of exceptional performing musicians and composers continued into the twenty-first century, making the Musical Fund Society the ⇒ Read More

“My Days Have Been So Wondrous Free,” written in Philadelphia in 1759 by Francis Hopkinson (1737–91), is generally considered the first secular song written by a native-born American. Hopkinson, then a young graduate of the College of Philadelphia, later became a leading figure in Philadelphia music as well as a prominent patriot, signer of the ⇒ Read More

“Oh, Dem Golden Slippers,” the unofficial theme song of the Philadelphia Mummers Parade, is both an enduringly popular song and a revealing example of the complex, multilayered interplay between black and white music in America. Written by African American songwriter James Bland (1854–1911) as a parody of a Negro spiritual, “Oh, Dem Golden Slippers,” published ⇒ Read More

Opera has played an important role in Philadelphia arts and entertainment since the mid-eighteenth century. The city has long been a key center for opera and holds several important distinctions in opera history, including being the site of the first serious opera performances in America, birthplace of the first major American opera composer, and home ⇒ Read More

Founded in 1900, the Philadelphia Orchestra developed into an iconic organization for Philadelphia through its musicianship, commitment to culture and education, and service as a cultural ambassador. The musical tastes and personalities of a series of influential conductors infused the orchestra with a rich history and distinctive sound as it became one of the finest ⇒ Read More

Philadelphia participated early and actively in the founding and development of public broadcasting, which expanded across the twentieth century to encompass radio, television, and digital platforms. Public media organizations have given voice to local concerns, provided forums for diverse opinions, and offered programming not found in commercial broadcasting. Precedents for public broadcasting originated in the ⇒ Read More

Disc jockeys—“DJs” who play music on the radio—have had a key role in shaping Philadelphia musical tastes since the 1950s. They reflected national and local musical trends, exposed audiences to new music, and in some cases produced records and managed artists. Many Philadelphia DJs became celebrities, actively engaged and influential in the local music scene. ⇒ Read More

The birthplace of the American “record” industry, the Philadelphia region for more than a century has been home to a thriving industry of recording studios and record companies. In Camden, New Jersey, the Victor Company in the early 1900s was the nation’s largest manufacturer of musical recordings. Since then, Philadelphia’s unique concentration of diversified industries, ⇒ Read More

With its large and diverse African American population and long tradition of black popular and religious music, Philadelphia became a hotbed of the new rhythm and blues style that emerged from jazz, blues, and gospel music in the 1940s and 1950s. The term “rhythm and blues” came into general use in the late 1940s to ⇒ Read More

For most Americans in the mid-1950s, rock and roll seemed to come out of nowhere, a raucous new musical style that suddenly burst on the scene. In reality, rock and roll had been taking shape for decades, as uniquely American vernacular musical styles such as jazz, blues, gospel, and country music cross-pollinated. The process unfolded ⇒ Read More

A term with varied meanings in popular music, “soul” broadly describes African American music characterized by emotional urgency and racial consciousness. More specifically, a soul style of black music emerged from rhythm and blues and gospel in the late 1950s and became popular with both black and white audiences through the 1970s. Different cities had ⇒ Read More

“South Street,” a hit song for the Philadelphia vocal group the Orlons in 1963, celebrates an iconic Philadelphia thoroughfare and is among a select group of songs that came to define the city in popular culture in the late twentieth century. The song’s catchy opening line—“Where do all the hippies meet? South Street, South Street”—became ⇒ Read More

In spring 1974, “TSOP (The Sound of Philadelphia)” became a hit song for Philadelphia International Records, the local record label renowned for its “Philly Soul” sound of the 1970s. Written by Philadelphia International’s owners and chief songwriter/producers, Kenny Gamble (b. 1943) and Leon Huff (b. 1942), and recorded in late 1973 by MFSB with the ⇒ Read More

“The Twist,” an early 1960s dance hit by Philadelphia singer Chubby Checker (real name Ernest Evans, b. 1941), ushered in a new way of dancing and solidified Philadelphia’s role as a major trendsetter in popular music in this period. Released in the summer of 1960 by Philadelphia-based Cameo Parkway Records, “The Twist” reached number one ⇒ Read More